college
|
Papers On Art & Architecture
Page 17 of 182
|
|
'Art Past, Art Present' by Wilkins and Schultz: A Specific View of...
[ send me this paper ]
This 4 page report discusses both the text itself and the work of two different 'modern' artists - Jasper Johns and Diego Rivera -- from the book 'Art Past, Art Present.' By examining the work of artists within a specific timeframe, the authors also present a larger view of human history and culture. Bibliography lists only the text itself as a source.
Filename: Artpast.rtf
'Hagar' by Edmonia Lewis (1875)
[ send me this paper ]
A 5 page reaction paper to this extraordinary marble representation of the biblical character emphasizes a variety of emotional responses. Several points are made including the artist's possible perception, the masculinity of the piece along with its angelic qualities.The figure's relationship with the biblical tale is also noted.
Filename: Hagar.doc
'Popeye is Not a Mickey Mouse Affair'
[ send me this paper ]
Arguments have existed suggesting that fictional characters cannot be copyrighted because they are an abstraction of the minds of the viewer and, therefore, can have no tangible existence outside the original work. Yet it is now recognized that both Popeye and Mickey Mouse receive copyright protection on the basis that they were sufficiently developed to command protection. This 12 page paper considers the issue of copyright laws as they have developed in Japan and reflects upon the notion that fictional characters like Mickey Mouse and Popeye have been 'developed sufficiently to command protection.' Bibliography lists 12 sources.
Filename: Popmick.wps
(The) Gothic Cathedrals
[ send me this paper ]
15 pages on the Gothic cathdral movement between 1100 - 1500 a.d. in Europe. Dividies into centuries. Describes Gothic architecture, changes and developments for each time period. Includes descriptions of major cathedrals for each century. Bibliography lists 15 sources.
Filename: Gothicca.wps
17thC Landscapes: El Greco & van Ruisdael
[ send me this paper ]
(5 pp.) Throughout Europe, artists were once more
relating to the bounty that they considered home.
This included their physical home as well as
their spiritual home, both were reflected in
their landscape paintings. We shall see this in
Toledo by El Greco and Wheatfield by van Ruisdael.
Bibliography lists 3 sources and 2 visuals
Filename: BBelGvnR
18th Century Italian Baroque Ceilings
[ send me this paper ]
A 10 page paper which illustrates how the elements of the art in 18th century Italian Baroque ceiling paintings strongly reflect and support the beliefs of the time period. Bibliography lists 6 sources.
Filename: RAbaro18.rtf
1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial
[ send me this paper ]
In eight pages this paper examines how Welles’ utilized architecture and lighting in his 1962 film The Trial to communicate what was happening in Berlin and the rest of Germany during the 1920s, with German Expressionism among the topics of discussion. Four sources are listed in the bibliography.
Filename: TGowtrial.rtf
19th Century Graphic Design and the Gutenberg Galaxy
[ send me this paper ]
“The Gutenberg era...is a consistent series of static shots or 'fixed points of view' in homogenous relationship. Homogenisation of men and materials will become the great programme of the Gutenberg era, the source of wealth and power unknown to any other time or technology” [Mcluhan, M, The Gutenburg Galaxy(1962)]This 5 page paper looks at this quote and uses three examples of graphic design from the 19th century to show how the era of print ushered in the concept of 'the static or fragmented shot' and 'homogenisation of men or materials'. The bibliography cites 6 sources.
Filename: TE19guten.rtf
19th Century Images and African Americans
[ send me this paper ]
A 3 page paper which examines how the 19th century images of African Americans reflects their experiences. Bibliography lists 1 source.
Filename: RA19afam.rtf