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Papers On Art & Architecture
Page 18 of 182

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2 Davids/Donatello & Michelangelo
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A 5 page research paper that contrasts and compares two great works of art -- the "Davids" sculpted by Donatello and Michelangelo. The writer relates these two works to the political situation of Florence and discusses the significance of these works to art history. Bibliography lists 4 sources.
Filename: kh2daves.rtf

2 Dutch Masters, Leyden and Steen
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A 6 page research paper that examines two Dutch paintings, "Twelfth-Night Feast" by Jan Steen (1662), and "Moses and the Israelites After the Miracle of Water from the Rock" by Lucas van Leyden (1527), and discusses the prominent features of both paintings, in terms of what sources indicate about the artist's life and possible intentions in creating each work. Bibliography lists 5 sources.
Filename: khjsalvl.rtf

2 Questions/Review of a Speech
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A 5 page research paper that, first of all, answers 2 questions pertaining to training issues and the transfer of knowledge. Then the writer reviews a movie clip of a speech by Steve Uzell on problem solving, artistic inspiration and its relationship to art and science. Bibliography lists 1 source.
Filename: khuzell.rtf

20th Century Art at the Museum of Fine Arts, Houston
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This 3 page paper discusses 3 separate works housed at the Museum of Fine Arts in Houston. Bibliography lists 3 sources.
Filename: HVMFAHou.rtf

20th Century Computer Graphic Design
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30 pages in length. There have been myriad technological advances throughout the past one hundred years. Indeed, the twentieth century turned out to be the springboard for the unprecedented advancement in the graphic design industry, effectively availing entirely new and divergent concepts with which designers can create. From meager beginnings, the graphic design industry has progressed into a much utilized and highly respected enterprise. The writer discusses various changes and occurrence influential to the 20th century graphic design industry, including the transition from 2D to 3D; the incorporation of feng shui; and the issues of gender inequality. Bibliography lists 18 sources.
Filename: TLCgrf20.wps

2D And 3D Art: Dimension Comparison
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5 pages in length. When one considers the fact that painters are two-dimensional artisans and sculptors represent three-dimensional art, one can readily surmise that while the two artistic modalities appear to have little in common with each other, the sculptor gains a significant amount of his craft from the presence of two-dimensional application. Even within the narrow boundaries of print art, the painter is able to transform his two-dimensional art into a three-dimensional creation with nothing more than a stroke of a brush. How is this possible? The writer discusses that for the painter this transformation requires only light; for the sculptor, the requirements are much more sophisticated. No bibliography.
Filename: TLC_2D.wps

3 Art Works/High Renaissance
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A 7 page research paper that examines three works, one each by Titian, Da Vinci and Michelangelo, as artists of the High Renaissance. Titian's Assumption of the Virgin, Da Vinci's Last Supper, and Michelangelo's Sistine Ceiling are briefly discussed in relation to the artist's perspective and within the context of the period. Bibliography lists 7 sources.
Filename: kh3arthr.rtf

A Bathroom By Any Other Name
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A Bathroom By Any Other Name: This 5-page essay examines the symbolic nature of space. It investigates how personal space is often very revealing in terms of the definitive nature of the “self,” and what a “favorite” space may thematically represent. Using the bathroom as an example, its literal and figurative representations are explored. Bibliography lists 4 sources. SNBathrm.doc
Filename: SNBathrm.doc

A Comparison of a Painting and a Woodcut: Burne-Jones and Degas
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A 5 page comparison of Degas’ “Woman Seated Beside a Vase of Flowers” and Burne-Jones’ “Chant d'Amour” (“The Love Song”). The author emphasizes that Degas’ painting is less complex in terms of its subject matter than Burne-Jones’ woodcut but that Degas relies on color and contrast between shape to accentuate his image while Burne-Jones’ incorporates graphical detail and more subjects as integral elements. No sources are listed.
Filename: PPartCr2.rtf


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